Hurricane Rig used on big budget 3D Cinema Commercial

Genus Hurricane 3D rig on comercial shoot.

I got back late last night from a big budget cinema commercial shoot where I was working with a pair of F3′s on a Hurricane Rig. All went very well and the DoP, (Denzil Armour-Brown) ¬†was impressed by the rig. The overall light weight of the complete system really helped us when moving from position to position. We used a ton of Chapman grip equipment including sliders and dolly’s. I was responsible for the 3D rig, camera setup and alignment as well as assisting the DoP.
We shot using 2 sets of band new Zeiss Ultra’s, mainly at 32mm and 50mm (very nice) as well as some older and very heavy Arri 100mm macro primes. There were several lens changes during the course of the day and the grip people were very impressed by how quickly and easily we could change lenses. Simply sliding the cameras back on the base plates gave enough space to swap out the lenses. Alignment then took just 5mins, so a complet lens change and re-align took about 15 mins.

We were recording to a Nano3D (2 x Nano Flashes) as well as to a Mac workstation recording ProRes in the video village. The video village allowed for instant playback on 50″ 3D monitors in a blacked out tent for review and tech assessment.

It was an outdoor shoot in great weather. As well as the F3′s there was a second rig with a pair of Phanton HD Gold 35mm high speed cameras shooting 3D at 1000fps. So even thought the sun was shining brightly, many shots were done with 2 or 3 18kw lamps!!

Towards the end of day the F3 rig was tasked with shooting some blue screen and other effects shots and in effect I became 2nd unit DoP. The effects shots will be matted in to the finished commercial.
I’m under NDA so can’t talk about the subject just yet, or post any pictures that show the subject, but once the ad is released (2 weeks time!!) I’ll be able to post some grabs and more photos.

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